7d7513cd-b538-4b32-b22b-f903af355d8e
More Camp Photos
Since 1992, founded by famous Hollywood executive producer, accredited by Council for Higher Education and WSCUC, California Bureau of Education
14-17 years old
3 weeks
Choose your preferred session from the options below and submit your details in order to complete your booking.
July - Day
| Start | 7/19/2026 |
| End | 8/8/2026 |
| Duration | 3 Weeks |
| Price | $3,533 |
July - Boarding
| Start | 7/19/2026 |
| End | 8/8/2026 |
| Duration | 3 Weeks |
| Price | $3,533 |
Welcome to the 3-Week Photography Camp for Teens in New York City. Now in its 24th year at this location, the program offers an intensive, conservatory-style experience designed for students who want to seriously develop their photographic skills.
This is a hands-on, demanding, and highly creative program. Students should be prepared to work long days, think critically about images, receive constructive feedback, and fully commit to the artistic process. Over three weeks, participants deepen both their technical mastery and creative voice, producing a strong portfolio of work.
Parents and students are encouraged to read this information carefully, as it contains essential academic, logistical, and safety details.
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The program takes place in Lower Manhattan, New York City, with classroom facilities and student residences located within walking distance of each other. The surrounding neighbourhoods provide constant visual inspiration and real-world shooting opportunities, making the city itself an extension of the classroom.
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The 3-Week Photography Program is an intensive course designed to give students a comprehensive understanding of both the technical and artistic aspects of photography.
Over three weeks, students take a deeper dive into the craft, mastering:
Camera operation
Exposure and lighting
Composition and visual storytelling
Digital imaging and post-production
Through a combination of shooting labs, studio sessions, image-editing workshops, critiques, and field trips, students explore multiple genres of photography while refining their own style. Extended instruction time allows for deeper experimentation and more polished results.
By the end of the program, students produce a cohesive, well-edited photographic portfolio that reflects their personal vision and technical growth.
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Students participate in an extended series of shooting labs, working both on-location throughout New York City and in studio environments. With more time for practical application, students tackle increasingly advanced photographic challenges, learning to adapt to varied lighting conditions, subjects, and environments.
Assignments include both guided exercises and independent projects across multiple genres.
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Students receive in-depth instruction in digital editing and post-production using industry-standard software. Topics include:
Professional image processing
Advanced retouching
Color correction and grading
Composite photography
High-quality printing preparation
The extended timeline allows students to experiment, revise, and refine their images to a professional standard.
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Students explore historical and contemporary photography through lectures, discussions, and critiques. Emphasis is placed on visual storytelling, conceptual thinking, and developing a personal artistic identity. Assignments encourage students to push creative boundaries while grounding their work in technical skill.
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Building on foundational photography concepts, students work with:
Studio lighting
Off-camera flash
Long exposure
Experimental photography
The additional program length allows for deeper engagement with both natural and artificial light, helping students learn to use light intentionally as a creative tool.
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Critique is a central part of the program. Students participate in regular review sessions with instructors and peers, learning how to evaluate images, accept feedback, and make informed creative decisions.
By the end of the program, each student assembles a cohesive portfolio demonstrating growth, technical proficiency, and artistic direction.
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Each student completes a curated photography portfolio consisting of finished images across multiple genres. Portfolios are prepared for both digital and print presentation and are:
Copied onto a USB drive
Available for download via Google Drive after the program ends
This final body of work reflects the student’s ability to conceptualise, shoot, edit, and present professional-quality photographic images.
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Students may attend as commuters or choose supervised residential housing.
Shared dormitory-style rooms
Furnished rooms with Wi-Fi
Private bathrooms
Small refrigerator in each room
High-speed internet and air-conditioning
24/7 supervision by residential advisors
Students must bring their own linens, pillows, and towels (Twin XL size).
1-Week Shared Room: $1,312.50
3-Week Shared Room: $3,780.00
6-Week Shared Room: $7,875.00
A $250 refundable room and key deposit is required.
Meals are NOT included in tuition or housing fees.
Residential Students
Grab-and-go snacks provided in residence
Lunch and dinner eaten at local cafés and restaurants
Estimated food budget: $200–$250 USD per week
All meals are supervised using a buddy and sign-out system
Commuting Students
Lunch and snacks not included
Students may eat at nearby eateries during lunch break
Supervised sign-out procedures apply
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Residential students participate in structured evening and weekend activities, all included in the housing fee:
Weekday Evenings
Guided neighbourhood walks
Times Square visits
Game nights and film screenings
Social and group activities
Weekends
Coney Island day trip
Central Park excursions and scavenger hunts
Optional museum visits on Sundays
All excursions are fully supervised, with transportation provided where necessary.
A typical weekday in the 3-Week Photography Camp is structured, creative, and immersive — balancing technical instruction, hands-on shooting, and artistic exploration.
Students arrive on campus around 9:30 a.m., settling in and preparing their equipment for the day. Mornings often begin with orientation sessions or visual lectures, where instructors introduce key concepts such as ways of seeing, photographic intent, or the technical focus of the day.
By 10:00 a.m., students transition into studio practice or workshops, applying concepts immediately through guided exercises. These sessions may focus on composition, camera settings, or controlled studio shooting, allowing students to experiment in a structured environment with instructor feedback.
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From 12:00 p.m. to 1:00 p.m., students break for lunch. Commuting and residential students explore nearby cafés and restaurants in Lower Manhattan using the buddy system, giving them a chance to recharge, socialise, and experience the city before returning to class.
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Afternoons are dedicated to hands-on creation. From 1:00 p.m. onward, students head into shooting labs, either working on-location around New York City or continuing studio-based assignments. These labs challenge students to adapt to real-world conditions, refine their technical skills, and develop a stronger visual voice.
Later in the afternoon, students move into digital imaging and lab sessions, where they edit, process, and review the images captured earlier in the day. Instructors guide students through professional workflows, helping them improve their selections, retouching, and overall presentation.
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On select days, afternoons include specialised workshops, such as:
Lighting workshops, focusing on studio and off-camera flash techniques
Photographer’s craft sessions, exploring storytelling, ethics, and professional practice
Digital labs, allowing deeper engagement with post-production tools
These sessions help students connect technical skills with artistic intent.
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At least once a week, students end the day with a museum or gallery visit, exploring exhibitions that expand their visual references and inspire new ideas. These guided outings reinforce classroom learning and expose students to diverse photographic styles and histories.
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By 5:00 p.m., the academic day concludes. Residential students return to the dorms for dinner and supervised evening activities, while commuting students head home. Many students spend the evening reviewing images, backing up files, or preparing ideas for upcoming shoots.
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A day in the program is full, focused, and creatively energising. Students are challenged to think visually, work independently and collaboratively, and steadily build confidence behind the camera — all while learning in one of the most inspiring cities in the world.
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Residential advisors live in the dorms
An advisor is always on duty
Students may not leave buildings alone
A strict buddy system is enforced
Evening and weekend activities are supervised
Curfews and room checks are enforced
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Residential students may participate in supervised activities such as:
Sightseeing and neighbourhood walks
Film screenings
Museum visits
Weekend excursions (Central Park, Coney Island, etc.)
All activities are included in housing fees.
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Residential students: arrive Sunday before classes begin
Commuting students: arrive Monday (first day of classes)
Students flying in should arrive between 10:00 a.m. and 3:00 p.m.
Optional airport transportation is available from:
JFK
LaGuardia (LGA)
Newark (EWR)
A staff member will meet students at baggage claim.
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Classes typically run 9:00 a.m. – 5:00 p.m.
Commuting students should arrive around 9:00 a.m. on the first day
Lunch and snacks are not included
Students may eat at nearby cafés using the buddy system
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Students must bring a digital camera with full manual controls, including:
Manual exposure
Manual focus
A DSLR is strongly recommended.
Phones, tablets, and fully automatic cameras are not acceptable.
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One bus-powered external hard drive
USB 3.0 / USB-C / Thunderbolt
500GB–1TB recommended (1TB preferred)
7200RPM recommended
USB flash drive (any capacity)
Bringing a second backup drive is strongly encouraged.
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At least two memory cards (16–32GB recommended)
Camera battery charger
At least one spare battery
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Unlined sketchbook (8.5×11” or 11×14”)
Two 4B pencils
Pencil sharpener with shavings catcher
Kneaded eraser
Pens for notes
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10 favourite images previously shot
As prints or high-resolution JPEGs on a drive
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To get the most out of the 3-Week Photography Camp, students are encouraged to begin preparing before arrival by immersing themselves in visual art and photography. Familiarity with strong visual storytelling will help students engage more deeply in class discussions, critiques, and creative assignments from the very first week.
Students are encouraged to spend time:
Looking at photography, paintings, and drawings
Visiting art museums or galleries where possible
Taking note of artists and photographers whose work resonates with them
Exposure to a wide range of visual styles will strengthen students’ ability to analyse images, develop ideas, and articulate their creative intent.
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Before the program begins, students should explore the work of the photographers listed below. Viewing their work online is acceptable, though printed books from libraries or bookstores are strongly encouraged where possible.
Sebastião Salgado – particularly his book Workers
Steve McCurry
James Nachtwey
Henri Cartier-Bresson
Eugene Richards
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Diane Arbus – documentary and fine-art crossover
Yousuf Karsh – students are encouraged to read about the stories behind his portraits
Annie Leibovitz – commercial and editorial photography
Arnold Newman
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Keith Carter
Loretta Lux
Ernst Haas
Joel Meyerowitz
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Erik Almas
David LaChapelle
Jay Maisel
Matthew Turley
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Students may also explore the following online collections to broaden their visual references:
Photo Tractatus Collection (Flickr)
Photo Eye Gallery – fine-art photography
Masters of Photography – curated works from multiple photographers
National Geographic Image Collection – photojournalism
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Early exposure to diverse photographic styles helps students:
Develop visual literacy
Engage more confidently in critiques
Discover personal aesthetic preferences
Arrive ready to create, not just learn tools
This preparation is strongly recommended, though not mandatory, and will significantly enhance the overall learning experience.
International students attend on a tourist visa or visa waiver.
This program is recreational — no student visa required.
Students should state they are attending “summer camp” when entering the U.S.
Passports must be valid six months beyond departure.
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Zero tolerance for drugs or alcohol
Respectful behaviour required at all times
Adult supervision during all activities
Violations may result in dismissal without refund
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Pillow, linens (Twin XL), towels
Warm-weather clothing
Comfortable walking shoes
Rain gear
Sunscreen
Refillable water bottle
Cell phone and chargers
Debit card or spending money
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Commuting students finish Friday
Residential students depart Saturday by 11:00 a.m.
Airport shuttles depart by noon
Flights should depart no later than 3:00 p.m.
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© Best Parents, 2026